William Bennett's new project Cut Hands finds his music taking new, percussive and punishingly effective new routes post-Whitehouse. Ahead of this weekend's performance at Supersonic, Rory Gibb speaks to him about the development of Afro Noise
Simian Mobile Disco's second live album offers an oblique answer to a series of questions about live dance music. Chad Parkhill presses the duo of James Ford and Jas Shaw about their motives in releasing this document of their show