Michael Chapman
Articles 4
A Quietus Interview
Always Organic: Cory Rayborn On 15 Years Of Three Lobed Recordings
By day, Cory Rayborn's a business and environmental lawyer, by night (often five nights in a row, packaging records by hand) he's putting out limited-run releases by the likes of Bardo Pond, Steve Gunn and Sun City Girls. As his label Three Lobed marks 15 years of operations, he talks to JR Moores
A Quietus Interview
Resurrection & Revenge: Michael Chapman Interviewed
Michael Chapman's is a remarkable tale: a singer/guitarist veteran of the '60s who last decade connected with US artists such as Thurston Moore and Jack Rose and started making beautiful and exploratory, improvisational music. Ahead of his performance at Supernormal Festival, he tells Russ Slater about staring at woodpiles and why he hates being called 'folk'
News 4
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A Quietus Interview
Finding The Point: An Interview With Jane Weaver
Ahead of a short UK tour, Jane Weaver tells John Freeman how her stellar sixth solo album, The Silver Globe, was inspired by a Polish sci-fi movie and her desire to remove self-imposed shackles, resulting in the finest record of her 20-year career
A Quietus Interview
A Life Bizarre: Sheila E Interviewed
Legendary Latin-jazz percussionist SHEILA E gives Simon Price a ticking-off for asking too many Prince questions. And tells him about her new album, her autobiography, her charity work, and her relationship the Almighty. Oh, and also about Prince. (A bit)
A Quietus Interview
“If I Hit You, You’d Feel It”: Leslie Winer, Trip Hop’s Forgotten Pioneer
Some say that Leslie Winer aka © invented trip hop in 1990 with her album, Witch. Now she’s back with a retrospective compilation and Wyndham Wallace meets the reclusive former supermodel. Main picture by Sébastien Chou
A Quietus Interview
Metamorphic Rock: Gwen Siôn Discusses Quarrying Slate for Sound
Gwen Siôn speaks to Jude Rogers about how her love of dubstep raves in tunnels became a creative practice of turning the slate of North West Wales into music, blending field recordings with choral song, and how landscape art is political
