As festival season approaches, writer, memoirist and founder of the Class Festival of literature Natasha Carthew looks back to the 1980s and reflects on the influence of the anarchic Elephant Fayre on her life and work. Images courtesy of Port Eliot / Michael Barrett
Why is it so difficult to revisit the strident political albums of one's youth? David Bennun returns to the once inflammatory Hypocrisy Is The Greatest Luxury and finds it’s so much smaller now, and didn't it all used to be fields around here?
For their latest, Good Sad Happy Bad, experimental pop group Micachu & The Shapes sank a few then confined themselves to a rehearsal space for a stripped-down, marathon recording session; some metal ensued, as they tell DJ Pangburn