Mahmoud Fadl

Tyrannosaur: Beneath The Surface In A Paddy Considine Interview

Andy Thomas speaks to the actor and director about the way his life and career so far have given rise to his debut feature length film, Tyrannosaur

Swans New LP: More Details

Karen O and Alan & Mimi from Low to feature

Dean Blunt Shares Archival Compilation

'Roaches 2012-2019' is one of a bunch of releases the enigmatic artist has shared on streaming platforms this month

Metz

Metz

Wold

Freermasonry

Hurtling Through The Void: Roly Porter’s Favourite Space Records

Following the release of Third Law, the producer talks Theo Darton-Moore through his favourite records associated with space travel and exploration, pieces of music that "look at things outside our own existence"

Autechre To Broadcast Radio Show

This coming weekend - 2nd-3rd March - will find veteran Warp duo once again broadcasting extended radio shows online

And So I Watch You From Afar – Acronymically Confusing Noise Rock

Post rock, post metal and a dash of stadium sized bombast? Sign me up says Iain Moffat. Band photo by Graham Smith

Want 13: Rufus Wainwright’s Favourite Music

Ahead of the release of his new album Rufus Wainwright guides Barnaby Smith through his favourite music, from Leonard Cohen to Eurythmics and his abiding love of opera

LIVE REPORT: Antony & The Johnsons

Joseph Burnett finds Antony Hegarty in trademark fine voice at his recent Swanlights show, bolstered by the Britten Sinfonia and packing in an unexpected punch

KTL

Jonny

Jonny

Electronic Music Weekender For Belfast

Weekend of events in Belfast to be curated by local producer Phil Kieran

No Music: A Baker’s Dozen with Alva Noto

From Laurie Anderson’s United States Live to Meredith Monk’s Dolmen Music, Carsten Nicolai tells Mollie Zhang about 13 records that shaped his musical backbone. Photo by Andrey Bold

Kuedo

Severant

Let Us Press Pley: Jus Oborn Of Electric Wizard’s Favourite Horror Films

Electric Wizard grand magus Jus Oborn talks to Harry Sword about a lifetime of immersion in the outposts of horror, sleaze and exploitation cinema, why 'heavy' isn't about the peddles and amps you use and the importance of playing the long game.