Samuel Coleridge-Taylor was the first musician of colour to become a superstar in 20th century Britain, says Phil Hebblethwaite, and then he all but disappeared from view. Who was he and why is it taking so long for us to recognise what he achieved, against impossible odds?
Following the recent release of his debut full-length Son Of The Black Peace, Frances Morgan speaks to solo guitarist Dean McPhee about the development of his playing style, and the way he writes his beautiful, freeflowing instrumentals