Lorde
Reviews 1
Baker’s Dozen Appearances 1
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Previously Read
A Quietus Interview
Songs At The End Of The World: An Interview With HMLTD
On their ambitious second album HMLTD imagine an England swallowed by a giant medieval worm, populated by spineless feudal lords and chivalric counter-revolutionaries. Yet it is all, they tell Patrick Clarke, about the personal
Electronic
Hyperspecific: Dance Music For October Reviewed By Jaša Bužinel
Jaša Bužinel shares his thoughts on the ongoing debate regarding the divide between Central and Eastern European dance music and Western media, and reviews some jaw-dropping club goodies from Rhyw, Joy Overmono, Shanti Celeste, TRAKA, Naphta and more
A Quietus Interview
“Being Different isn’t Something to Take Lightly”: Jarvis Cocker Interviewed
Pulp are back with their first new album in nearly a quarter of a century; Jarvis Cocker joins us to talk about More, but also outsider art in America, an attic full of wonder in London and revolution versus violence in Sheffield. Words by Darran Anderson. All portraits by Tom Jackson
Low Culture Essay
Low Culture Essay: Travis Elborough On Ian Nairn’s No Two The Same
In this month's Low Culture Essay, Travis Elborough revisits No Two The Same, a documentary about London's Pimlico that reveals many of the foibles of its creator, thirsty outsider and outspoken architecture critic Ian Nairn
A Quietus Interview
Resurrection & Revenge: Michael Chapman Interviewed
Michael Chapman's is a remarkable tale: a singer/guitarist veteran of the '60s who last decade connected with US artists such as Thurston Moore and Jack Rose and started making beautiful and exploratory, improvisational music. Ahead of his performance at Supernormal Festival, he tells Russ Slater about staring at woodpiles and why he hates being called 'folk'
A Quietus Interview
Who Lights Up The Dance? An Interview With Flowdan
Commissioned by Kevin Martin as part of our Bug Week, Rory Gibb meets Flowdan, one of the most distinctive voices in grime and beyond, to discuss Jamaican sound system culture's influence on UK music and the origins of The Bug's mighty anthem 'Skeng'
