A quartet of BBC radio producers and broadcasters have taken up the mantle of the Radiophonic Workshop and set about performing classic works of musique concrète. They tell Robert Barry how vintage equipment, Daphne Oram and an encounter with John Cage all played their role
Folk at its rawest is often bloody, uncompromising stuff, and Bert Jansch was one of its magical practitioners. Add fiery guitar-playing, a voice hewn from Edinburgh stone, original songs full of lyrics fabout the darkest sides of life, and you get one of music's most fascinating characters, argues Jude Rogers