In spite of a gradually accelerating reappraisal, a full portrait of composer Julius Eastman will most likely never surface, says Aimee Armstrong. Instead we’re left to track him through anecdotes, odd photographs and his politically charged and aggressively honest personal composition. A preview for this year's Intonal Festival.
One of Chantal Akerman's lesser known works feels singularly important during times of global isolation. Toute Une Nuit telegraphs the importance of human connection over one finite period of time and now plays like a foggy memory, finds Patrick Preziosi