As senior columnists and musicians complain that younger generations are no longer both musically and politically engaged, David Stubbs argues that rock and pop have never been the defiantly countercultural revolutionary corps that many claim
Joshua White's Joshua Light Show was an iconic visual presence in the sixties and seventies, accompanying performances by the likes of Janis Joplin, Jimi Hendrix and Frank Zappa. Laura Snoad spoke to him ahead of his recent Light Show with Oneohtrix Point Never
Via his ensemble Melt Yourself Down, saxophonist Pete Wareham reimagines the rhythms and melodies of Nubia. Adam Quarshie caught up with him to discuss some of his influences, from the music of Egypt and Sudan to the music of East London.
With a show at London's Under The Bridge on 5 April, Michael Rother of Neu!, Harmonia, and a newly-boxsetted solo career takes Patrick Clarke through his life in 13 records, from Little Richard to Fuck Buttons, even though he doesn't really listen to music any more
Forty years after The Damned released New Rose they're currently touring the UK. The genial Captain Sensible got in touch to tell us about his favourite LPs, from Stereolab to the Bee Gees, Soft Machine to Felt and Jimi Hendrix. Damned live photo by Dod Morrison.
The Public Enemy frontman has always been one of rap music’s most articulate advocates, but in 2022 he shifted career from MC to university lecturer. In an exclusive extract from his new book, In The Hour of Chaos, Chuck D talks about the cultural politics of hip hop and what it means for the future
With the debut LP a woozy wall of Afrobeat inspired fuzzbox riff worship and pounding circular rhythmic power, Here Lies Man connect the stoner rock underground straight to downtown Lagos. Harry Sword talks 1970’s New York Latin radio, punk rock and the glory of Fela Kuti with Marcos Garcia