In COUM Transmissions the future members of Throbbing Gristle would intensely interrogate the nature of art and performance, along with testing their own experiential limits, across almost a decade of unique 'actions'. Join us on a journey through their strange world where their compulsion to find a pure and honest form of expression saw them tearing up taboos, severely unsettling the establishment on the way. Images thanks to the Tate Archive / Cabinet Gallery. WARNING - SOME IMAGES NSFW
In this month's subscriber essay, novelist Richard Milward travels back 55 years to the cobblestone-strewn streets of Paris, the release of France Gall's album 1968, and discovers how a time of political upheaval had a profound impact on the happy-go-lucky genre of yé-yé
After all those weird and abstract hints on the Amateur Gore tumblr, here's the information from the horse's mouth: Angus Andrew tells Luke Turner about the themes and making of new album WIXIW, their increasing use of electronics, and relationship with producer Daniel Miller
Jeremy Allen, David Bennun, Julian Marszalek, Erin Lyndal Martin, JR Moores, Jamie Thomson, Luke Turner and John Doran run through some of the finest album tracks, b-sides, session moments, live versions, covers and hits that never were of Nick Cave & The Bad Seeds' long and illustrious career
After seeing Bruce Springsteen at Wembley, Michael Hann writes a deeply personal essay about the power of live music, not as redemption or catharsis, but as a unique and potent force that reflects who we are when we encounter it
In their very first interview about a new album of protest songs, The Specials' Terry Hall, Lynval Golding and Horace Panter speak to Patrick Clarke about how political music and the energy of Black Lives Matter lifted them from pandemic-enforced inertia