Imperial Triumphant’s sixth album sharpens up their avant metal sound and polishes it to a burnished sheen. Cooking up a storm that mixes Stanley Kubrick, Art Deco and jazz, with a huge dollop of New York City, Dan Franklin speaks to Zachary Ezrin about how self-imposed restrictions expanded their modernist vision. All portraits by Shannon Void
One of Chantal Akerman's lesser known works feels singularly important during times of global isolation. Toute Une Nuit telegraphs the importance of human connection over one finite period of time and now plays like a foggy memory, finds Patrick Preziosi