Iannis Xenakis has long been seen as a titan of modern composition, written about in awed tones, the subject of innumerable retrospectives. Yet why, asks Dan Siepmann, has his work for so long overshadowed non-male artists like Pauline Oliveros?
How might electronic music sound in a post human future? Robert Barry enlists the help of Holly Herndon, James Bridle and Conrad Shawcross to explore radical new directions in computer music, from live programming and Algorave to the digital overloads of Black Midi