Samuel Coleridge-Taylor was the first musician of colour to become a superstar in 20th century Britain, says Phil Hebblethwaite, and then he all but disappeared from view. Who was he and why is it taking so long for us to recognise what he achieved, against impossible odds?
In August, 95-year-old American composer George Walker had his first-ever piece performed at the Proms, as part of a concert that became the breakout story of the festival. In his own way, he’s as radical and pioneering as Nina Simone, who was famously refused entry to the same music school that Walker had already graduated from
The Rotherham-based musician and artist looks back 40 years and considers the noise of industry, the noise of industrial action, the noise of excessive police violence and electronic music as political resistance. Digital and 35mm photographs of the site of the former Orgreave Coking Works taken by Max Roberts. In memory of drummer and producer Keith LeBlanc
Ahead of Rewire festival Jennifer Lucy Allan talks to the Swedish artist, musician and composer about prison hauntings, being thrown out of bible study, collectivity in music making and the power of the drone to alter perceptions of time and place
The fictional band from The Eccentronic Research Council's last album are not only real, but they're going on tour and releasing records. Two of their animating architects, The ERC's Adrian Flanagan and Fat White Family's Lias Saoudi, sit down with Daniel Dylan Wray to discuss working with Sean Lennon, masochistic video shoots and bringing back rabies
The Alien Territory Archives: A Collection of Radical, Experimental, & Irrelevant Music from 1970s San Diego
Featuring music by Pauline Oliveros, Harry Partch, Diamanda Galás, David Dunn and others, this compilation of experiments from 1970s Southern California is an essential collection, finds Antonio Poscic