On 3 December 1984, Wham! released a Christmas single that over the years would lose none of its power despite becoming a sonic monolith of the festive season. Ian Wade reflects on how the song has haunted his life, and the strange melancholy of a Christmas pop death.
Why exactly should the enjoyment of a great piece of music be marred by guilt? Following last week's Black Sky Thinking about the problems (and positives) of the concept of the 'guilty pleasure', the Quietus writers declare their undying, entirely non-ironic love for their favourite uncool songs. Introduction by Jimmy Martin
Ahead of his appearance at this month's Green Man Festival, Sathnam Sanghera talks Tara Joshi through his favourite music, from Goldfrapp to Dave and Massive Attack, Sly, George Michael, Prince, Bally Sagoo and much more
Pet Shop Boys’ very own never-ending Dreamworld tour is back in the Capital for a five-night run at the Royal Opera House. But on a day when central London is host to multiple demonstrations about the kind of country the UK wants to be, are Tennant and Lowe losing their common touch?
On the release of a new documentary on Dory Previn, Adelle Stripe explores an artist who learned to live with voices in her head, despite societal and institutional pressure to ignore them, and whose experiences demonstrate how female artists can seek a fulfilled creative life against the odds
Following two sublime singles, the debut album from Glasgow-based dance music collective Amor captures timeless dancefloor melancholy and Paradise Garage-referencing rhythm, amid twenty-four channels of anaogue bliss. Founding member and acclaimed experimental musician Richard Youngs catches up with John Thorp, and tries not to overthink the groove
New York isn’t dead, says Maxelle Talena in the latest of tQ’s dispatches from the North American underground. It’s being killed. From jumpstyle to hardcore punk, from hip hop to garage rock (for those who can’t afford a garage), she introduces five key artists keeping the flame alive