In an epic Baker’s Dozen, Robert Aiki Aubrey Lowe lets Stewart Smith into the secrets of his Candyman soundtrack, and celebrates Black excellence from Don Cherry to Moor Mother, Olly W. Wilson to Pamela Z
Peter Jackon's latest film _The Lovely Bones_ may seem a far cry from the blood-soaked days of _Braindead_ and _Bad Taste_ but, as Josh Saco argues, there's more to the Kiwi director than lo-fi horror and Hollywood pandering
Dark side of the goon revealed in the latest Apatow-brand of dudecom bromance, examining the aftermath of a stand-up’s near-death experience and the realisation that life is what you’ve got left. Oli Simpson is in neologistic bro-verload