With the imminent release of his score for Arrival, the latest in a now thriving partnership with Denis Villeneuve that will see him take on Blade Runner next year, the Icelandic composer shows traditional reluctance in crafting a list of defining albums and opts instead of 13 works that exemplify a philosophy of minimal gestures with maximum impact
In an extensive interview about the history of life before, during and after Yazoo, Alison Moyet explains why her forthcoming Roundhouse performance with Vince Clarke could be the duo's last hurrah. Alison Moyet photo by Nicole Nodland
Steve Parry's latest album as Hwyl Nofio finds him exploring personal and collective histories in his home region of South Wales. He speaks with Kevin Mccaighy about the rise and fall of industry and wandering the valleys with a field recorder
In his latest column, Kez Whelan salutes the brilliance that occurs at the intersection of black metal and hardcore punk, the ongoing boom in death metal, and reviews new releases from Scarcity, Harvestman, Krallice and many more
In the often apolitical world of house and techno, stellar DJ/producer/booker The Black Madonna is fearless when it comes to voicing her beliefs. Manu Ekanayake sat down with her to talk race, gender, disco and house, Trump and the Ghost Ship fire