On the fortieth anniversary of Welcome To The Pleasuredome, Toby Manning explores how Frankie Goes To Hollywood's debut was the album that owned 1984, thanks to its ability to inhabit the liminal space between the queer margins and the straight mainstream
Robert Barry explores the growing ubiquity of the warning siren in popular culture, all the way from When Worlds Collide to Jason Derulo's 'Don't Wanna Go Home', via hip hop, the rave explosion, sonic weaponry and the panic sonics of contemporary pop
Getting Nine Inch Nails’ signal to cut through the insane noise of the digital marketplace has been 1% inspiration and 99% immolation, says Trent Reznor to John Doran. But does latest album Bad Witch mark the start of a new phase in their career?