Following the release of his second album proper last month, Sam Shepherd discusses the support slots for The xx that provided the catalyst for the record, his longstanding connection with the Buchla synth and running out of records while supporting Andy C at The End
In the early and mid 1990s, says author Jeanette Leech, the language of dance and electronic music was an intrinsic part of post-rock. So why, by the end of that decade, did post-rock lose its groove? Also we have an extract from Jeanette's recent book, Fearless, regarding the bands Tortoise, Bastro and Gastr Del Sol
With 1993’s The Very Crystal Speed Machine set to get its first UK release as part of their Righteously Remastered box set, reunited rock & roll preachers Thee Hypnotics tell Julian Marszalek about the album that should have made them but instead wore them down
Cellist Julia Kent uses the instrument to evoke complex interplays of emotions that touch both on inner experience and the rhythms of the physical world. With latest album Character out now, she speaks with Russell Cuzner about collisions of ancient and modern technology
Fabulous Diamonds' heat-hazed mix of punk, psych and dub ranks them among the most original acts in the Australian underground. As Steph Kretowicz discovers when they meet to discuss recent LP Commercial Music, their creative impulses are tempered by a contrary streak
With a reputation as bricks-and-mortar shorthand for Little England conservatism, you might be surprised to know that Tunbridge Wells has long had a thriving musical underground. Alexander Tucker speaks to scene stalwarts Joeyfat, currently being celebrated with a compilation and reissues on Wrong Speed Records