Evergreen
Baker’s Dozen Appearances 1
Baker's Dozen
That’s How We Make It Our Home: Will Oldham Selects 13 Valiant Records from Louisville, Kentucky
On the release of We Are Together Again, the new, community-centred Bonnie “Prince” Billy album, Will Oldham speaks to Jude Rogers about 13 records spanning the many genres of music that are created, supported and celebrated in his home city of Louisville
Help Support The Quietus
If you’ve read something you love on our site today, please consider becoming a monthly or annual tQ subscriber – our journalism is mostly funded this way. We’ve got some bonus perks waiting for you too.
Subscribe NowMost Popular
Previously Read
A Quietus Interview
Micachu & the Shapes: No Pigs Were Harmed In The Making Of This LP
For their latest, Good Sad Happy Bad, experimental pop group Micachu & The Shapes sank a few then confined themselves to a rehearsal space for a stripped-down, marathon recording session; some metal ensued, as they tell DJ Pangburn
A Quietus Interview
Getting off the Bus: Loula Yorke Interviewed
During the last two years, Loula Yorke has released six albums and a mixtape and she's only just getting started. Joe Muggs talks to the modular synthesist about a background in raving and activism, and why it's time to start thinking of herself as an artist
Anniversary
World Class: How Radiohead Gave Us The Bends
Though The Bends has since been overshadowed by what followed, its release 30 years ago found Radiohead on the cusp of stardom. Wyndham Wallace joins them on a journey from their early days to their inevitable worldwide breakthrough. This article was first published on 3 March 2015
A Quietus Interview
A Path Through Darkness: Keeley Forsyth Interviewed
Keeley Forsyth’s debut album is an intimate document chronicling harrowing times. But, as she tells Derek Robertson, such darkness lies deep within us all, serving less as artistic inspiration and more as defining our shared humanity
Strange World Of...
The Strange World Of… Lou Reed
On the release of a new compilation of Lou Reed’s 1960s compositions at Pickwick Records, Wayne Gooderham surveys the sprawling solo career that was to come later, and picks out ten key tracks that serve as guides to an intimidating post-Velvets discography
