Ahead of his appearance at Unsound Adelaide, German dance music producer Erik Wiegand talks about pulling song titles from articles on dating sites, sculpting hyperbolic sounds and his first new solo album in 13 years, Superlative Fatigue
In the fourth part of his report on the contemporary music of Eastern and Central Europe, Jakub Knera digs into the Czech Republic's experimental and avant garde music scene and finds a creative community alive with psychedelic sounds