Former Darkness bass player Frankie Poullain has returned from his French castle to write a warts-and-all account of his time in the band. In these extracts, he recalls eating his own faeces as a child and the band's infamous spat with the NME.
Strong new albums from Mary Halvorson’s Code Girl, Nate Wooley’s Seven Storey Mountain, and New Hermitage nonchalantly reach beyond the language of jazz without abandoning its fundamental improvisational core, says Peter Margasak