Elvis Costello tells Paul Stokes about his lockdown life and new album Hey Clockface as he guides us through Baker's Dozen tales including being taken under the sinful wing of Iggy Pop and the time he nearly joined Blur. Costello portrait by Ray Di Pietro
Proposing to Beefheart, auditioning for Zappa, impersonating Costello and ripped-off by New Order. Finders Keepers boss Andy Votel invites us to enter into the world of CP Lee and Gerry & the Holograms with some help from Daniel Dylan Wray
Reflecting at length upon his intimate relationship with British music from his office in Nashville, Tennessee, the alt-country veteran at the heart of Lambchop discusses freedom, interpretation and the lasting effect on him of 1970s Sheffield with Luke Cartledge
With the release of their formidable second album Foundations Of Burden imminent, Dean Brown talks to the Arkansas metal crew about their development since debut Sorrow And Extinction and why doom has the capacity for emotional catharsis
John Freeman heads up to Sunderland to eat falafel and meet with the Brewis brothers to find out why the sinewy pop of Field Music’s new album Commontime was inspired by fatherhood, Hall & Oates and hatred for a certain brand of 4x4 car
We were offered a very brief phone conversation with Lisa Gerrard of Dead Can Dance recently. There was nothing for it but to activate our many teeted, lizard agent from Interzone, Jonny Mugwump, whose feverish brain and forked tongue work in double time...
With a flurry of recent activity, including reissues and the promise of a book, Duncan Seaman talks to Jowe Head, Biggles Books and Phones Sportsman, as well as Geoff Travis of Rough Trade about the cult DIY band. Home page band portrait by Caroline Kraabel
Michael Chapman's is a remarkable tale: a singer/guitarist veteran of the '60s who last decade connected with US artists such as Thurston Moore and Jack Rose and started making beautiful and exploratory, improvisational music. Ahead of his performance at Supernormal Festival, he tells Russ Slater about staring at woodpiles and why he hates being called 'folk'