Bristol's Sam Kidel battles with his computer to create constantly evolving club tracks with a hand-played sensibility. He speaks to Rory Gibb about the "strange abstraction" of producing music on a screen, and has recorded us a mix
Sarathy Korwar speaks to Patrick Clarke about how Indo-futurism, a colonialist critique of Thomas More’s Utopia, and the invention of his own new circular rhythm system have pushed his practise forwards on ambitious new album KALAK