At the end of an exhausting year in club music, Rory Gibb reflects back upon 2013 on and off the dancefloor, and considers some of the political, social and technological issues facing the dance music community in the near future
Combining classical music, metal, and hand-built instrumentation, Sarahsson’s wildly inventive debut album The Horgenaith explores femininity, bodily transformation and nature via Cronenbergian horror. An exciting new force in Bristol’s thriving avant-garde, the composer speaks with Alastair Shuttleworth in her first ever interview