A quarter of a century ago, a constellation of stellar artists performed a kind of musical alchemy in a fabled New York studio. Voodoo has lost none of its allure and retains all of its impact 25 years on. How did they do this, a still dumbfounded Angus Batey asks
The Velvet Underground co-founder and longstanding experimental outlier reflects fondly on his 18-hour long debut US performance, producing for The Stooges and writing an ode to Brian Wilson, and makes a case for the avant-garde genius of Snoop Dogg
By 1995 Stereolab should have been at the peak of their powers, so why didn't it feel that way to Tim Gane and Laetitia Sadier? Fergal Kinney examines the series of events that saw the band escape the dead end they'd ended up in culminating in the release of one of their most celebrated albums
With the release of her new book Small Town Joy: From glam rock to hyperpop: how queer music changed the sound of Scotland, author Carrie Marshall talks to Claire Sawers about growing up in 1970s Lanark, clubbing at Edinburgh's Fire Island and the "seismic" influence of Jimmy Somerville
Ahead of an appearance at Wysing Arts Centre's annual day festival in September, Discwoman's DJ Haram speaks to Kristen Gallerneaux and Bernie Brooks about the scene in her base of Philadelphia and linking up with Moor Mother and the Discwoman collective