William Bennett's new project Cut Hands finds his music taking new, percussive and punishingly effective new routes post-Whitehouse. Ahead of this weekend's performance at Supersonic, Rory Gibb speaks to him about the development of Afro Noise
New York's Endless Boogie couldn't be more aptly named, frying minds with sprawling, blues-tinted jams that seem to chug on forever. With career-best album Long Island just released, Stevie Chick speaks to the band's Paul Major about psychedelic experiences and intuition