John Freeman heads up to Sunderland to eat falafel and meet with the Brewis brothers to find out why the sinewy pop of Field Music’s new album Commontime was inspired by fatherhood, Hall & Oates and hatred for a certain brand of 4x4 car
With Where You Stand, their seventh album – and first for five years – due out this summer, frontman Fran Healy joins Wyndham Wallace to buy dinner, quote Seamus Heaney and discuss why, despite so many people loving them, they provoke such fiercely negative reactions…
Before they reanimate their Dadaist simultaneous poetry-inspired project at London's Oval Space tonight, Savages' Jehnny Beth & Bo Ningen's Taigen Kawabe tell Suzie McCracken about its distant origins in Britain's highest inn and why youthful rebellion lies at its heart
25 years ago The Boss played Brixton Academy as part of his least successful tour since his first but, says, Liam Inscoe-Jones, while he may have been underperforming catastrophically in financial terms, this was also a time of creative rebirth
Angus Batey was the reviews editor on Vox when Be Here Now was released; here he lifts the lid on the sense of panic that Oasis' third album caused in the world of music journalism. But in his love for this album is he mad for it, or just mad?
Electronic producers but longtime punk, hardcore and metal heads, Blawan and Pariah take Patrick Clarke through the thirteen records that shaped their swerve into heavy music as Persher, from Meshuggah and Napalm Death to Converge and The Dillinger Escape Plan