At odds with the world, with reality, with Britpop and with each other, Suede were in a terrible place as they wrote and recorded Dog Man Star. But, writes Matthew Lindsay, it's the album that would end up as their masterpiece. This feature was originally published in 2014
The Paraorchestra is a collaboration between disabled and non-disabled musicians, composer Charles Hazlewood and singers including Brett Anderson and Nadine Shah. Anderson, Hazlewood and Paraorchestra members speak to Jude Rogers about the strange joy in singing songs about death. Photos by Kirsten McTernan
Today from the Rock's Backpages archive, an archive piece from 1997 where Suede's Brett Anderson and Pet Shop Boy Neil Tennant (with interjections from Vic Reeves) sat down to discuss the legacy of Noel Coward and changing attitudes to sexuality
Continuing the saga of the Loudun possessions made famous by The Devils, Jerzy Kawalerowicz's picture actually predates Ken Russell's masterpiece by a decade. Anthony Nield watches a landmark of Polish cinema, newly restored for DVD release later this month
After witnessing the 1986 action movie Aliens accompanied by a live orchestra, Joel McIver nominates it as the best film of its genre ever made. For those who have been hiding in the Jungle Of Guam, waiting for WWII to end - ****Contains Spoilers****
From its lurid aesthetics to its pulsing soundtrack, director Nicolas Pesce's second feature, Piercing, is a homage to the great Italian horror movies of the 1970s. Here he takes us through ten of his favourites, from Dario Argento to Lucio Fulci and beyond