Clara Schumann had one of the most extraordinary lives in 19th century music, says Phil Hebblethwaite. Against the odds, she made it as a pianist, and she ought to have been recognised as a great composer too
Phil Hebblethwaite invites you into Brahms’s German Requiem, one of the worst-named pieces of classical music in the canon. It has nothing to do with nationalism, or the church, and should have been called what Brahms later suggested: A Human Requiem. It couldn’t be more relevant in 2017
Ben Pester's brilliantly surreal new book is a "horror novel about office work" where the monster is a business park. Here he takes us through the songs he played while writing and the songs the book seems to summon for him now it's finished and (almost) out in the world
People say doomscrolling is tearing apart the social fabric – and they're probably right – but, says Kevin Lee Kharas of Real Lies, it's a problem he's learning to like. Here, he tells us what it's taught him about life and people