With the release of cynical new novel Lionel Asbo: State Of England, argues Alex Niven, Martin Amis continues the patronising run of form that helped install the pernicious and cliché-ridden notion of 'Cool Britannia' and ultimately Boris and Dave's Big Society
Last year, Laura Cannell released her debut album Quick Sparrows Over The Black Earth, which found the fiddle and recorder player drawing on medieval music for her improvisational compositions. She tells Danny Riley about recording in churches and finding kindred spirits in fellow Early Music fans Bass Clef and Charles Hayward in their Oscilanz project