*Hush – Berlin Club Culture in a Time of Silence* captures the people and places behind the German capital's famous nightlife in an era when no-one is going out dancing. Robert Barry speaks to the writer and photographer behind the book. The interview is followed by an exclusive extract from the book
With night clubs still locked down, Studio Berlin fills the notorious venue with syphilis-bearing slave ships, bondage harness sculptures and statues deep in k-holes. But what will remain of this new normal, asks Dorian Batycka, and what will become of the German capital’s many other club spaces?
As resident at Panoramabar and manager of Ostgut Ton, Nick Höppner is one of the pivotal figures behind Berlin's most iconic club space. He speaks to Eleanor Careless about his new mix CD, the beautiful simplicity of techno and house, and the debate around royalties currently threatening the city's club culture
Ninja Tune's resident sculptor of deep, dubby pop has just released her latest single, which finds her collaborating with dancefloor veteran Jimmy Edgar. Rory Gibb spoke to the Berlin resident about clubs, classical training and sampling the Berghain
Thirty-five years after they burned slow and bright, Galaxie 500 remain one of indie rock’s most quietly untouchable constellations. In conversation with Dean Wareham, Naomi Yang and Damon Krukowski, Brian Coney provides ten points of entry to the dimmer recesses of their back catalogue
Elsa Court unpicks the cinematic relationship between Agnès Varda and Jean-Luc Godard. With her new film, Faces, Places, in UK cinemas soon, and a retrospective currently on screen at the BFI Southbank, a reassessment of the often marginalised Varda feels more vital than ever
In his latest survey of the French music scene, David McKenna takes stock of a tumultuous few months in French politics, picks some recent cultural highlights and reviews culture-straddling music from Marseille as well as new folk, occult rock and an adventurous gamelan ensemble
Recorded at King Crimson’s nadir, Red looked destined to be just another forgotten final album, its release playing second fiddle to Robert Fripp’s idiosyncratic “retirement”. 50 years later, its influence is immeasurable, the perfect distillation of what’s possible from a rock trio, says Jeremy Allen
On the fiftieth anniversary of Nick Drake's death, Rob Chapman argues that his legacy has been let down by a culture that allows his mental health struggles to overshadow his art, and that turns his songs into fodder for wellness-adjacent twee whimsy
Oasis are back, and a publishing supernova of new biographies examines the Manchester band... but for most of their lifespan, they were appalling. Fergal Kinney asks how do writers confront Oasis after their peak
Following the recent release of a ten-disc compilation and a ferocious sequel to his 2002 record Sheer Hellish Miasma, Kevin Drumm speaks to Daryl Worthington about key releases in his three-decade spanning catalogue, covering music from the almost absent to the blisteringly present
Tatsuya Yoshida of Ruins' lifelong love of Magma lead him to form the band Kōenjihyakkei. Warren Hatter reckons that their fourth album Angherr Shisspa is the point at which he created something that eclipsed the work of his inspiration