From the forging of psychedelic dub as multi-cultural resistance and embracing Afro-Futurist emancipation to inadvertently producing one of the most profound sonic antidotes to cultural imperialism released this decade, Adrian Sherwood and Bonjo offer Jim Osman ten points of entry into their huge back catalogue
Thirty years since he founded the On-U Sound label, Adrian Sherwood talks to Melissa Bradshaw about its history, the grim early 80s, his work in the studio, and the trouble with contemporary sound. Exclusive photos thanks to and copyright Kishi Yamamoto
Sound House, a new album by Walls based around interpretations and reworkings of material from Daphne Oram's sound archive, is released this month. Joe Clay caught up with the duo's Sam Willis to discuss the magic within Oram's pioneering experiments in electronic sound